IN previous posts, I presented two of three reasons why Setsuko Tsuchiya and I, Daniel S. Janik, were intrigued from the start over Elias Perez’ 2-Liter’s Shady Film Production of MOCOS, the Movie — https://www.auditionsfree.com/2021/actors-and-extras-in-nyc-or-to-film-remotely-for-indie-film/. We both support experimental filmmaking, especially when it leads to a new venue resistant to epidemics and pandemics. I see MOCOS as the forerunner of distance-filmed, interactive, holographic m...

SUCCESS demands celebration; but failure, as negative as it may sound, is how we learning. We learn from our mistakes and failures. The “trick,” of course, is to avoid fatal ones. The dead don’t learn from their mistakes or failures.

While it’s said, “Dead men tell no tales,” that isn’t necessarily true. The living, if curious, conscious and reasonably empathic, can learn from others’ fatal mistakes and failures. Call it science, if you wish, where science is the search for t...

AS the author of THE EDGE OF MADNESS (Aignos 2020) by Raymond Gaynor — TEOM — I’m often asked what PRIMARY genre this Amazon Genre BESTSELLER should best be listed as. What should be an easy question is, if not complex, at least deserving of a post. I list it on social media as a work of Sci-Fu (Science-based Futuring) rather than Sci-Fi (science fiction) or Sci-Fan (science fantasy). TEOM is based on current technologies and social concepts which are simply projected into the future. S...